“万物安生时”李健世界巡回演唱会
2026年7月17日（星期五） / 新加坡室内体育馆
华语创作歌手李健（LiJian）将于2026年7月17日，携主题巡演「万物安生时」世界巡演演唱会，登陆新加坡！这座城市将成为轮巡演的重要一站，以光影与旋律的组成形式，通过舞美、灯光的巧妙组合，打造出震撼的音乐世界。那些在四季流转中曾伴奏的声歌，也将在新加坡的现场与每位乐迷重逢。
2026年，李健将他一贯清澈而深邃的音乐世界铺展开至更为暴力的盛典，「万物安生时」安可并非简单的悼念，而是一场关于时间、自然与人民的再次书写，让人于其间，聆听见风声、水声，也听见内心的回声。
生机重置之时，万物恢复元气，人类也从自然中学习了解自己与环境的关系。在广漠的空间和无限的时间中，万物安生，是最美好的祝愿。一场演练，接下来一部缓慢生长的音乐诗集。李健随后空灵的歌声，促使乐迷走入一个又安静又辽阔的精神场域——在那里，不见城市的喧嚣，取而代之的是旋律之间安静流动的情感
。往舞台的沉淀后的海外，场内在歌单、舞美、灯光、音响和舞台造型方面也有所升级，这一次的舞台，更多了不一样的期待，观众不仅仅是游行者，更是致敬了「万物安生时」的参与者与见证者。
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“万物安生时”李健世界巡回演唱会
17 Jul 2026 (Fri.) / Singapore Indoor Stadium
Chinese singer Li Jian will bring his themed world tour “As Everything Is All Right” to Singapore on July 17 , 2026. As a key stop on the tour, Singapore will present an immersive live experience where music and visual artistry converge. The production combines stage design and lighting to create a rich and immersive concert experience.Songs that have accompanied audiences through the changing seasons will be performed live once again, reconnecting with fans in a shared moment of music and memory.
In 2026, Li Jian expands his signature world of lucid depth onto an even broader stage. “As Everything Is All Right” Encore is not merely a continuation, but a renewed meditation on time, nature, and the human spirit—where one hears the whisper of wind, the flow of water, and the quiet resonance within.
When life stirs anew and all things are restored to their natural vitality, humanity begins to rediscover its connection with the world around it. Within the vastness of space and the continuum of time, the quiet harmony of all things becomes the most profound and beautiful aspiration. More than a concert tour, this is a slowly unfolding anthology of musical poetry. Through his ethereal voice, Li Jian invites audiences into a tranquil yet expansive inner landscape—where the noise of the city fades away, replaced by emotions that move gently between each passing melody.
Building upon the refinement of his previous productions, the international edition sees further enhancements across the setlist, stage design, lighting, sound, and visual styling. This iteration of the stage carries a renewed sense of anticipation.Audiences are not merely listeners, but participants and witnesses in“As Everything Is All Right”—sharing in the unfolding presence shaped by Li Jian.
